Stories are never merely entertainment; they are memory encoded in myth. Across Africa, the walls of temples, pyramids and sacred spaces were repositories of knowledge: astronomy, cosmology, ethics and spiritual practice.
Modern sci‑fi, from Star Wars to Black Panther, Dune and The Matrix can be seen as distant echoes of these ancestral archives, carrying symbolic truths forward into our collective imagination.’

Bes: The Guardian in Human Form

In Kemetic cosmology, Bes was the protector of households, children and transitional spaces.Unlike grand, distant deities, Bes was intimate, fierce and paradoxical—a small figure with a monumental presence, standing at thresholds between chaos and order, danger and safety.
This archetype finds a modern reflection in Yoda: small yet immensely powerful, wise beyond measure, protective of the next generation and a guide through uncertainty. His strange syntax, cryptic lessons and mastery of the Force echo the paradoxical wisdom of Bes, who taught and safeguarded through presence and example. Yoda’s paradoxical nature is both gentle and formidable, mirrors Bes’s guardianship at life’s thresholds, reminding us that true power often hides in unexpected forms.

Dogon Cosmology: Knowledge of the Stars

The Dogon of Mali are famed for their deep astronomical knowledge, including accurate details of Sirius and its companion stars—knowledge that seems impossible without advanced observation or transmission.
Dogon cosmology is rich with symbolism about the origins of life, cosmic order, and cycles of the universe, often encoded in myth, ritual, and initiation. Sci‑fi mirrors this: the Force, galactic balance, and cycles of destruction and renewal echo Dogon concepts of cosmic order and the unseen rhythms of life. These stories resonate because they are ancestral memory encoded in narrative form, teaching us to read the universe with both wonder and understanding. 

Black Panther: Wakanda as Ancestral Continuum

Marvel’s Black Panther is perhaps the most explicit homage to African cosmology. Wakanda is not simply futuristic—it is ancestral memory projected forward.
• The ancestral plane, where T’Challa communes with past kings, echoes African traditions of ancestor veneration.
• Vibranium, a substance that powers Wakanda, mirrors African myths of sacred metals and stones that carry spiritual energy.
• The blending of ritual with technology reflects the African principle that science and spirituality are complementary ways of knowing.
Wakanda reminds us that African civilizations, had they evolved without colonial interruption, could have created worlds where ancestral wisdom and futuristic innovation coexist harmoniously.

Dune: Desert Power and Ancestral Echoes

Frank Herbert’s Dune draws heavily from African and Middle Eastern cosmologies. The Fremen, desert dwellers who harness the rhythms of sand and survival, echo nomadic African cultures who read landscapes as living texts.
• The spice melange, central to galactic power, recalls African traditions of sacred plants and substances that open perception.
• The Fremen’s messianic prophecies resonate with African oral traditions linking cosmic cycles and human destiny.
• Their desert rituals mirror the resilience of Sahelian and Saharan peoples, who see survival itself as sacred knowledge.
In Dune, the desert is not empty—it is a teacher, a memory keeper, and a mirror of the universe’s hidden patterns.

The Matrix: Liberation as Ancestral Memory

In The Matrix, the struggle to awaken from illusion echoes African cosmologies of initiation and rebirth.
• Neo’s journey mirrors rites of passage, where the death of the old self precedes rebirth into higher consciousness.
• Morpheus, as teacher and liberator, recalls African griots and sages guiding communities through hidden truths.
• The idea that reality is coded yet malleable parallels African traditions where language, symbol, and ritual are tools for reshaping existence.
The Matrix reframes ancient African wisdom for a contemporary audience, showing that liberation is both internal and cosmic.

African Ancestral Memory in Modern Sci‑Fi

Ancient pyramids, temples, and ritual spaces were libraries of consciousness, encoding complex metaphysics in stone and story. As history shifted, these symbolic systems migrated—sometimes hidden, sometimes transformed.
Science fiction has become a modern temple wall, translating cosmic wisdom and ethical paradigms into stories accessible to a global audience. When audiences feel an inexplicable connection to Yoda, Wakanda, the Fremen, or Neo, it may be ancestral recognition: a subconscious remembering of guardians, teachers, and cosmic truths embedded in African cosmologies.

The Force as Ancestral Echo

In this light, the Force is not just a narrative device—it is a reflection of cosmic interconnectedness taught by African ancestors: the unseen currents of life, the balance of power and responsibility, and the wisdom of observing the universe with humility and respect.
Sci‑fi becomes more than fantasy; it is a bridge between the ancient and the modern, between ancestral memory and contemporary imagination. And perhaps this is why these stories feel timeless—they are not invented; they are remembered.

Afrofuturism: The Living Continuum

The echoes of Bes, the Dogon, and ancestral cosmologies are not confined to ancient temples or distant galaxies—they are alive in today’s African creators who are reshaping science fiction on their own terms.
• Nnedi Okorafor, with works like Binti and Lagoon, fuses African mythologies with futuristic landscapes, insisting that African voices belong at the center of global sci‑fi.
• Wanuri Kahiu, through films like Pumzi, envisions ecological futures rooted in African spirituality and resilience.
• Sun Ra, the cosmic jazz pioneer, declared that space was the place for Black liberation, turning music into a vessel of Afrofuturist cosmology.
Contemporary movements in art, fashion and tech from Nairobi’s digital collectives to Lagos’s Afrofuturist designers—continue this lineage, blending ancestral wisdom with innovation.
Afrofuturism is not escapism; it is a reclamation. It insists that African memory, creativity and cosmology are not relics but living archives guiding us toward possible futures.

Why These Stories Matter Now 

When audiences connect with Yoda, Wakanda, the Fremen or Neo, they are not only engaging with fantasy; they are participating in a dialogue with ancestral wisdom that has always been global.
African cosmologies remind us that the future is not invented from nothing; it is remembered, re‑imagined and carried forward. Sci‑fi becomes a mirror of possibility: a space where African ancestors whisper through myth and African creators answer with vision.